After my Howard Werth post I finally bought The Wild World Of Barney Bubbles, an absolutely fabulous treasure trove of his designs and paintings. He was miles ahead of others during that time, great to read about his influences and concepts. It also provided a lot of insight of the music scene in those days and the groups/musicians he was close with; Hawkwind, Elvis Costello, Ian Dury, Nick Lowe, Billy Bragg, a.m.o.
Special mention must be made for Jake Riviera as ‘mover & shaker’, a British music business entrepreneur, manager of Costello and Lowe, and co-founder (with Dave Robinson) of Stiff Records. He was a firm supporter of Barney and in 1977 recruited Bubbles to work with him on an impressive run of designs for record sleeves, posters, badges and advertising and promotional campaigns for Lowe, The Damned, Costello and such performers as Ian Dury, Wreckless Eric and the veteran music hall star Max Wall.
However later that same year Riviera left Stiff, taking with him Barney, Costello and Lowe to the newly launched label Radar Records. Nick Lowe’s Breaking Glass was the first Radar 45 release and a hit for the new label. Barney had designed both the Radar Label’s logo and the sleeve for Nick’s hit!
Radar lasted only 2 years before Riviera moved on, again taking key artists and Barney with him, to another new label… But during those 2 years Radar released a lot of good music, besides Costello and Lowe, there were also excellent records by Bram Tchaikovsky, Inmates, 999, Yachts, The Pop Group, a.o.
Several of Radar's early releases (including Iggy Pop and James Williamson's Kill City, the Good Rats' From Rats to Riches and Pezband's Laughing in the Dark) were licensed from independent American labels.
After reading and thinking about the above I suddenly realized something odd! During my vinyl buying days in the previous century I bought quite a few Stiff and Radar singles, extended plays, and albums. I have good memories of the various Stiff artists compilations (later CDs as well), and downloaded Stiff collections from different blogs, etc. But I never bought a various Radar artists album/CD or found a digital collection online.
This is because strangely enough Radar never released any such compilation...
As for why nobody ever considered putting a digital collection together, that's anyone's guess... Therefore Jokonky proudly announces the arrival of the Radar Records Singles 1978-79 compilation!
Despite the fact that virtually all of regular visitors are probably familiar with Lowe & Costello, I still felt that I had to include them. A perfect candidate was the Nick Lowe single I bought back in 1978: A side - American Squirm with on the B What’s So Funny ‘Bout (Peace, Love and Understanding) by Nick Lowe And His Sound which turned out to be Elvis Costello!
Besides the earlier mentioned Radar artists and groups, there are also: Bette Bright And The Illuminations, Metal Urbain, Neon, Ray Campi (licensed from Rollin’ Rock!), The Red Crayola, The Soft Boys, Sussex, Tanz Der Youth, The Thirteenth Floor Elevators, Visage, and Wayne Kramer.
This unique package containing 24 songs + a 20 page pdf (incl. full-page sleeve art!) can be found here:
ReplyDeletehttps://mega.nz/file/fYNjjKrL#ew6Cko6FHf_3ZcSS5qNXoyeYL51T7XH54kDiLbl4PSU
Of course this does not include all Radar artists, but it still provides a decent overview.
Irritating, these 2 were nowhere to be found:
https://www.discogs.com/release/1117849-The-Profits-Im-A-Hog-For-You-Baby
https://www.discogs.com/release/4015959-DJ-Kane-And-The-Millionaires-Lately-Things-Get-Screwed-Up-All-The-Time
If anyone can help me out with these, many thanks in advance!
Oh, and a question of course: Who's your favorite Radar artist/band?
From the licence-plates, Iggy & James - Kill City
ReplyDeleteVery difficult pick, Pere Ubu, Visage, Pop Group, Metal Urbain, Ray Campi....Great label, Thank you Koen
Glad you like it Richard!
DeleteSuper cool collection; clearly a bunch of things I wouldn't initially explore, which is the joy of coming and visiting y'all.
ReplyDeleteFav Radar release? It's a toss up between "Kill City b/w I Got Nothing" & "She Is Beyond Good And Evil b/w 3'38". I'll give the edge to Ig...this time.
"a bunch of things I wouldn't initially explore" is exactly how I started a lot of my posts! Thanks Captain!
DeleteKoen, I'm so glad you did a feature on this label! One of my "desert island discs" is Bram Tchaikovsky's debut (with sleeve by Rocking Russian, not Barney Bubbles).
ReplyDeleteAnother longtime favorite is Yachts' first album. In the US (where it was licensed to Polydor), we got an LP titled "S.O.S." which (according to Discogs) removed "Easy To Please" and "I'll Be Leaving You" and substituted "Look Back In Love" and (a live version of) "Suffice To Say". After the label folded, Yachts titled their next album "Yachts Without Radar".
Jake's partner in starting Radar Records was Andrew Lauder. The memoir "Happy Trails: Andrew Lauder's Charmed Life and High Times in the Record Business" mentions that Andrew was responsible for the reissues (Kill City, 13th Floor Elevators, Shadows of Knight) but that he was especially proud of having signed the Pop Group. Lauder and Riviera later started Demon Records and its reissue sublabel Edsel Records (with Costello as a silent partner to fund their efforts).
Bram Tchaikovsky & Rocking Russian are mentioned (& shown!) in the enclosed pdf.
DeleteI have great memories of my Bram Tchaikovsky 12 inch: Sarah Smiles, brilliant record, not on Radar, but on Criminal Records! It featured a dreadful cartoonish cover by Jim Roper instead of Rocking Russian's cool Russian propaganda style artwork... Rocking Russian was a Design Agency and their sleeve covers weren't always that great...
Rocking Russian sleeves weren't always great, but here are a few of my favorites:
Deletehttps://www.discogs.com/master/65291-Scars-Author-Author
https://www.discogs.com/master/201124-Athletico-Spizz-80-Do-A-Runner
https://www.discogs.com/master/38201-Iggy-Pop-Soldier
https://www.discogs.com/master/42341-Siouxsie-And-The-Banshees-A-Kiss-In-The-Dreamhouse
https://www.discogs.com/master/42351-Siouxsie-And-The-Banshees-Slowdive
Yes, that cartoon sleeve for the "Sarah Smiles" 12 inch was truly awful!
I'm a 999 fan, myself, Koen. Great idea for a comp!
ReplyDeleteAnd I had no idea that ELVIS COSTELLO was a silent partner in EDSEL, Jon.
Neither had I. Andrew Lauder's book should be an interesting read!
DeleteElvis appreciates soul, country, blues and good songwriting in general, and he had the money. Andrew felt strongly about keeping good records in print. It's a very interesting book, and I got it cheap! One thing I didn't realize back in the late 70's and early 80's was that 999 toured the US relentlessly, visiting many cities where other "class of 77" UK punk bands never played. Andrew Lauder pointed out in his book that for many American punks, 999 was the first British punk band they ever got to see in concert.
DeleteFor me, Radar records is mostly about Elvis Costello's great This Year's Model album but I also have their Soft Boys, Métal Urbain, Shadows of Knight and Nick Lowe records. There are also some I have but not on Radar (like Kill City on German Line). I wasn't aware of the number of great acts on the label in only two year's time. Nice to see you give them the same treatment as Armageddon records who also released Soft Boys stuff.
ReplyDeleteBy the way, the Soft Boys fell out with Jake Riviera who wanted to promote them as the new power pop sensation which they hated. As a result, they only had the Anglepoise Lamp single on Radar and self released their début album A Can of Bees before it was reissued in 1979 by Aura records with different tracks on side 2. SB's Radar sessions were seemingly issued on the Day They Ate Brick bootleg.
J from Europe.
Thanks, J! According to Andrew Lauder, he tried to get a Soft Boys album made, and booked them in several studios but none of the recordings were satisfactory. To his ears (and Robyn's), the sessions that Radar financed didn't represent the band's live sound. Underwater Moonlight is a fantastic LP, and so is This Year's Model!
DeleteAs for Metal Urbain, I have "Les Hommes Morts Sont Dangereux" and the Metal Boys "Psychedelic Desert" EP on Celluloid Records. It seems like there was a lot of crossover between Radar and other labels. The Pop Group went to Y Records, Soft Boys to Armageddon, Pere Ubu and the Red Krayola to Rough Trade.
Radar Records was revived in the mid-90's and put out a bunch of forgettable stuff, but "The Italian Flag" by Prolapse might be another desert island disc for me (although it might push me over the edge of sanity).
Jonder, you're skipping ahead! Before Demon there was F-Beat...
ReplyDeleteYou're right, I did skip F-Beat. It's a confusing history, but Andrew (unlike lots of other folks) seemed to get along well with Jake.
DeleteGreat stuff!!! My first Radar Records 45 was 'American Squirm' 45 too! and the Andrew Lauder book is a really fun read...thanks much!!!
ReplyDelete