Monday, July 18, 2022

Alex Chilton's Jukebox #3

In 1977, Alex moved from Memphis to NYC, where his backing band The Cossacks included Chris Stamey.  Alex brought The Cramps to Memphis and produced their first singles and LP.  

Jim Dickinson had worked with Alex on Sister Lovers, and Dickinson helped Alex make Like Flies On Sherbert in a raw and unrehearsed style that was a big change from Big Star.  A batch of songs that Alex recorded with Peter Holsapple (while making Sherbert) were recently released as The Death Of Rock.

Sherbert was released on Sid Selvidge's label, Peabody Records.  Alex and Tav Falco were inspired to form The Panther Burns by The Cramps and Mud Boy And The Neutrons (a Memphis group led by Selvidge and Dickinson).

In 1982, Alex left Memphis again and moved to New Orleans, where he met bassist René Coman. Alex began another phase in his musical career, less anarchic and more "cool" in his playing and singing (like Chet Baker). He performed and recorded New Orleans and Memphis soul and blues, backed by Coman and drummer Doug Garrison (who had played in a jazz band with Alex's father). Garrison backed Alex from 1985 (Feudalist Tarts) through 1995 (A Man Called Destruction).

Alex enjoyed bawdy songs like Take It Off, Thank You John, Tip On In and What's Your Sign, Girl? His laconic delivery of the lyrics made these songs popular with a college radio audience. He stimulated interest in artists like Slim Harpo and Cordell Jackson among young people who had just discovered Big Star.

The Replacements (another band that reveled in musical anarchy and unexpected cover songs) recorded 1987's Pleased To Meet Me in Memphis with Alex and Jim Dickinson, and the Mats album included their song Alex Chilton. Alex received a financial boost when The Bangles recorded September Gurls (1986), and got another in 1998 when Ben Vaughn arranged for In The Street to become a TV theme song.  

In 1993, Alex and Jody Stephens reformed Big Star as a touring band with Jon Auer and Ken Stringfellow of the Posies. Alex also performed with The Box Tops on package tours. Alex, Ben Vaughn, and Alan Vega released the improvisational Cubist Blues album in 1996. Alex recorded Tear Off! with the Box Tops (1998), and Big Star's studio album In Space was released in 2005.

Alex Chilton's last solo album was 1999's Loose Shoes (aka Set). Alex "produced and directed" the LP, which was recorded in NYC and completed at Ardent Studio in Memphis.  His song choices spanned many of his influences (jazz, blues, soul, gospel, country and more), and his performances reflected both his serious side and his sense of humor.  You can also hear Alex's many interests in this final volume of Alex Chilton's Jukebox.

BREAKING NEWS: Tav Falco and the Panther Burns will embark upon a US tour next month! Dates and deets here!

13 comments:

  1. Alex Chilton's Jukebox vol. 3: https://krakenfiles.com/view/jFImG0VnLH/file.html


    The Rubber Room - Porter Wagoner (1972)
    Motel Blues - Loudon Wainwright III (1972)
    Slut - Todd Rundgren (1972)
    Baby Strange - T.Rex (1972)
    Trying To Live My Life Without You - Otis Clay (1972)
    The Last Bouquet - Clyde Owens (1973)
    Precious, Precious - Jackie Moore (1970)
    Nobody’s Fool - Dan Penn (1970)
    Claim To Fame - Frederick Knight (1976)
    Dominating Force - Nelson Slater (1977)
    What Was - Bev Kelly and Ken Wannberg (1977)
    Solar System - The Beach Boys (1977)
    Every Time I Close My Eyes - Prix (1977)
    Take Me Home And Make Me Like It - The Yankees (1978)
    What’s Your Sign, Girl? - Danny Pearson (1978)
    Single Again - Gary Stewart (1978)
    Downtown - Tom Waits (1980)
    Frame For The Blues - Hank Crawford and Calvin Newborn (1980)
    Bet Your Heart On Me - Johnny Lee (1981)
    I Remember Mama - Shirley Caesar (1989)
    Hook Me Up - Johnny “Guitar” Watson (1994)
    You Got A Booger Bear Under There - Ollie Nightingale (1996)

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  2. A fitting tribute. BTW - for a real eclectic band, look up Panorama Jazz Band. Garrison is their regular drummer. Baltic/Choro/Romania all meshed together.

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    1. Thanks again. I will check out all of your recommendations!

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  3. Gentle readers, I will be out of town for the next week. Your comments are always appreciated, but they won't appear on the blog until I get back.

    Prix was a Memphis power pop band formed by guitarist Jon Tiven and singer Tommy Hoehn. Alex and Chris Bell participated in making an album's worth of songs that went unreleased (with the exception of a 1977 Ork Records single) until a 2002 Japanese CD and the 2016 album Historix: https://hozacrecords.com/bands/prix/

    Jon Tiven produced the Alex Chilton sessions that later appeared as Bach's Bottom. Alex recorded versions of "Every Time I Close My Eyes", "All Of The Time", and "Take Me Home And Make Me Like It". Ork Records released five songs from these sessions on Alex's 1977 EP "The Singer Not The Song".

    After Tommy Hoehn bailed out, Jon Tiven formed The Yankees. Ivan Julian played bass on The Yankees' 1978 album High 'n' Inside. Tommy Hoehn released a half dozen albums before his death in 2010. Tiven has had a long career as a musician and producer:

    https://www.discogs.com/artist/336667-Jon-Tiven?type=Credits&filter_anv=0

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  4. "If you're writing anything decent, it's in you, it's your spirit coming out. If it's not an expression of how a person genuinely feels, then it's not a good song done with any conviction."
    Alex Chilton

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  5. https://dangerousminds.net/comments/the_classic_big_star_songs_that_arent_big_star_but_a_studio_project_du?utm_source=Dangerous+Minds+newsletter&utm_campaign=8975418202-RSS_EMAIL_CAMPAIGN&utm_medium=email&utm_term=0_ecada8d328-8975418202-65854481

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  6. Yowsa Jonder, you just keep digging and pleasing, thx a ton' Enjoy your time off, God knows you deserve it for all the hard work ya do!!!! Alex Lives!!!

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  7. Nice set of comps Jonder...many thanks.

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  8. Thanks, everyone. I had a good trip, and it was good to get home.

    Viacom CMD's quote from Alex Chilton reminds me that the first interview I read with Alex Chilton was in an early 80's Chicago fanzine called Coolest Retard. Alex was quoted as saying, "I wouldn't piss in a journalist's mouth if it was on fire." That was intriguing. Who was this guy? Why did he hate journalists, and why would he say that during an interview with a music writer? Then I remembered that Sherbert had been reviewed in Creem Magazine, and I knew that I needed to hear it. I got Sherbert, Bach's Bottom, Live In London and the 1978 release of Big Star's Third (on the PVC label). I didn't meet anyone who had the first two Big Star albums until about 1985, when Alex released two EP's on Big Time Records. That was a great record label for a few years!

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  9. Check out Boppin Bob's homemade "Best of Brenton Wood" for more from the "Oogum Boogum" man!

    https://fromthevaults-boppinbob.blogspot.com/2022/07/brenton-wood-born-26-july-1941.html

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  10. Late to the party but thanks for these fantastic comps -- what a great collection of songs Alex covered over the years! Thank you!

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  11. I forgot to mention the source of "What Was" -- a song that only appeared in the 1977 film "The Late Show" (with Art Carney and Lily Tomlin). Jazz singer Bev Kelly is the vocalist. The song doesn't appear on Kenn Wannberg's soundtrack album for "The Late Show". "What Was" has never been released on vinyl or CD. Someone captured it here: https://youtu.be/dk_NzSafD9I

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