Showing posts with label jazz-covers. Show all posts
Showing posts with label jazz-covers. Show all posts

Monday, April 28, 2025

Jazzin' It Up!


Years ago I stumbled upon a (now defunct) music blog with some unusual posts.

One was about an album by Doc Severinsen and the Now Generation Brass, featuring a jazz cover of The Court Of The Crimson King!

This set me off on a search for similar jazzy covers of prog/rock/pop/country ‘classics’ and over time I found quite a few.

Often financial reasons were probably the main motivation as clearly expressed by Gerry Mulligan; If You Can’t Beat ‘Em, Join ‘Em!

But covering mainstream songs was not unusual at all and the results at times artistically worthwhile.

Not surprisingly a lot were jazzed up Beatles (hardly any Rolling Stones!) songs, but there were quite a few of more unpredictable choices such as Steely Dan’s Aja, Roger Miller’s King Of The Road, and Chuck Berry’s No Particular Place To Go!

 Here are 16 jazzy tracks for your listening pleasure!

Sunday, November 24, 2024

PRINCE JAZZED UP

When Prince started entering the Dutch hit parade (and appeared on TV of course) I have to admit that I couldn’t care less as his type of music didn’t appeal to me at all at the time…

Although I do recall when the whole family saw him performing ‘Kiss’ on television, we were all flabbergasted, that sounded completely different from anyone else at the time!

Years later in Thailand I heard his ’Sign O’ The Times’ which hit all the right spots, amazing song, both musically and lyrically.

Even so, I never really got into Prince despite some admittedly fantastic songs

Time for a jazzy detour!

Bob Belden had quite a track record at Blue Note Records, as saxophonist, bandleader, composer, producer and arranger and I started paying more attention to him when he came up with a remarkable interpretation of Sting/The Police’s songs entitled: Straight To My Heart: The Bob Belden Ensemble Performs The Music Of Sting (1991).

According to Belden: “With Sting’s music I wanted to learn about lyrical form.”

This was followed by When Doves Cry: The Music Of Prince in 1994 of which Belden said the following: “With Prince I could explore the complete vocabulary of pop music.

Much later I found out that actually he had released another Prince album that same year, but only in Japan as Bob Belden's Manhattan Rhythm Club - Princejazz (a collector’s item!)…

That last album has only instrumental interpretations and is more jazzy compared to When Doves Cry which features several vocal tracks.

Prince himself was at times also interested in doing Jazz style work, he even created a new band for that specific purpose: Madhouse.

Madhouse at its heart was just two people: Prince and Eric Leeds, with Eric playing saxophone/flute and Prince virtually everything else.

Miles Davis was intrigued, he even covered a Madhouse track (Penetration) in concert.

A collaboration with Prince didn’t really work out that well but the resulting Can I Play With U finally got released many years later on the expanded edition of Sign O' The Times.

Eric Leeds released a solo album in 1991, Times Squared, on which Prince played along as well

Once the Madhouse project was finished Prince did release an all instrumental album called Xpectation in 2001.

Over the years Prince’s songs have been covered by loads of artists in various styles, from funk to jazz to reggae and beyond.

For your listening pleasure here are 2 CD length albums of Prince’s songs showcasing a more Jazz side of his work, artists include a.m.o. Bob Belden's Manhattan Rhythm Club, Nina Simone, Steven Bernstein's Millennial Territory Orchestra, Miles Davis, Herbie Hancock, and of course The Artist Formerly Known As himself!

Wednesday, June 12, 2024

The Blue Note Cover Series (by request!)

One day in 1997 I did my usual thing [sez Koen], dropping by Tower Records in Bangkok, and going straight for one of their listening stations. There to my pleasant surprise, I found the Charlie Hunter Quartet’s Natty Dread

I listened to a few tracks and knew right away this was not just another Bob Marley cover album, it was so much more! Therefore, the decision to buy it on the spot was easily made.

For whatever reason I wasn’t aware of the other two albums in this new Blue Note series, Fareed Haque’s Déjà Vu and Everette Harp’s What's Going On, nor the ones that followed in 1998...


By now I’ve listened to all six albums in this series and still consider Charlie’s the best, closely followed by Fareed Haque's CSNY cover album, Bob Belden (Tapestry), and George Howard (There's A Riot Goin' On). 

Ronnie LawsPortrait Of The Isley Brothers (Harvest For The World) and Everette Harp's What's Going On are dangerously close to smooth elevator jazz, but each still has a few acceptable tracks.

In 1997 Blue Note issued a promo sampler with three songs each from Charlie, Everette, and Fareed. There was no follow-up, which gave us here at JOKONKY another project -- to add three tracks from each of the three 1998 releases in the Blue Note Cover Series!


PREVIOUSLY ON JONDERBLOG: if you like this post, check out Koen's excellent overview of Nonesuch Records' American Explorer Series, as well as Koen's more recent compilation, Blue Note Funk: Steady Groovin!