The Burnette Brothers Playbook
This collection of songs associated with JOHNNY & DORSEY BURNETTE is titled The Burnette Brothers Playbook because while they wrote many of the most enduring rockabilly tracks of all time, they also recorded songs written by others—turning them into rockabilly standards in the process.
The biggest recipient of The Burnette Brothers songwriting was RICKY NELSON, but they also supplied material to GENE VINCENT, JERRY LEE LEWIS, GLEN CAMPBELL, BOB LUMAN, & ROY BROWN who wrote a standard of his own Good Rockin’ Tonight. THE BEATLES often played their songs during live performances on The BBC.
The brothers’ bandmate, guitarist Paul Burlison worked with Elvis Presley at Crown Electric—and their group The Rock & Roll Trio rehearsed in the laundry room at Memphis’ Lauderdale Courts—where the brothers & Elvis all lived. Family members say Johnny & Dorsey also played basketball with him, & Elvis reportedly used to watch them rehearse—but strangely never recorded any of their songs.
According to legend, upon moving to Los Angeles, Johnny Burnette bought a map of the stars homes, and sat in front of Ricky Nelson’s house & told Ricky he had some songs for him. Ricky recorded at least five of the duo’s songs & he recorded Believe What You Say four times! A later live version by Rick kicks this collection off.
Needless to say, later day rockabilly revivalists dug deep into the brothers catalogue. The best at covering their songs were ROBERT GORDON & THE STRAY CATS, but JACK SMITH, THE PIRATES, & ELVIS COSTELLO also had a feel for them—as did lesser known rockabilly artists like LA’s THE RATTLERS (with Ronnie Mac & Jimmy Lee Maslon) & DARREL HIGHAM.
The sons of JOHNNY & DORSEY; Rocky Burnette & Billy Burnette also recorded their famous father’s songs. Johnny’s son Rocky had his biggest hit in 1979 with a song that he co-wrote himself; Tired Of Toein’ The Line. Dorsey's son Billy later joined Fleetwood Mac, but his self-titled 1980 album is a rockabilly revival classic (from which his version of Tear It Up is taken). Just as their fathers were highly competitive with one another, their sons were as well—which was to be expected when they reached their highest points in the charts around the same time.
The Rock ’N’ Roll Trio were more aggressive in their approach than any band of their time—on and off stage. Both of The Burnette Brothers were Golden Gloves boxers, and it’s said that the fuzz guitar on Train Kept A Rollin’ was the result of a tube that was knocked loose in the guitar amp while the brothers were knocking one another around. Dorsey, being the older brother, bristled when management billed them as The Johnny Burnette Rock ’N’ Roll Trio, leaving the group for a solo career just before they were featured in the Alan Freed movie Rock Rock Rock! His replacement was Johnny Black, brother of Elvis’ bassist Bill Black. Despite being in a movie, & making an impressive number of appearances on TV (that included winning The Ted Mack Amateur Hour) their records didn’t sell. But both of the brothers went on to score much tamer hits as solo acts.
JOHNNY & DORSEY wrote all of these songs except for Fats Domino’s Please Don't Leave Me, & Big Joe Turner’s Honey Hush. They reinvented these slower rhythm & blues numbers into raucous rockabilly standards. For proof, compare Tiny Bradshaw’s version of Train Kept A Rollin’ to theirs. The Yardbirds’ & Aerosmith’s versions clearly take their inspiration from The Rock ’N’ Roll Trio’s.
Tiny Bradshaw - Train Kept A Rollin’
https://www.youtube.com/watch?v=ci4EQDD4CqA
The Rock ’N’ Roll Trio - Train Kept A Rollin’
Downloaders are asked to share a rockabilly standard (or any song) that bears little resemblance to the original version.
ReplyDeleteMine is obviously Train Kept A Rollin’ but there are plenty more. (There isn’t a NO-PRIZE riding on this, but I will hand one out if someone surprises me.)
BURNETTE BROTHERS PLAYBOOK:
https://pixeldrain.com/u/R7SSyYNa
NRBQ – North To Alaska (Johnny Horton cover)
ReplyDeleteGood one, Will! Thanks!
DeleteMotörhead version of Train Kept a-Rollin is what I like. When it comes to totally re-arranged songs my all time favorites are Eric Dolphy - God Bless the Child and Bertram Turtzky - Goodbye Pork-Pie Hat. Joy Division - Sister Ray is also quite different to the Velvet one. The Residents doing Hank Williams (James, George and Sousa). And for the Real Deal listen to Holger Hiller - Wir Bauen Eine Neue Stadt a Hindemith classic reworked
ReplyDeleteYeah, LEMMY loved rockabilly!
DeleteI can't share the first song that popped in my head because it was never recorded, but the San Jose band called Cornell Hurd and his Mondo Hot Pants Orchestra did a wonderful rockabilly version of "The Way We Were" - they called it "The Way We Was". I'll think of something else sooner or later today....
ReplyDeleteThat sounds GREAT, Guypinot. I'm a huge fan of CORNELL HURD. I have a compilation started--but I'm missing a couple releases & want to do it right!
DeleteI can't help thinking of the Yardbird's take on The Train Kept A Rolling not to mention the very similar Stroll On. Great version of Tear It Up by the Cramps too.
ReplyDeleteJ from Europe.
Thanks, J. I hadn't thought of STROLL ON in a long time!
DeleteNot rockabilly but Jose Feliciano's "Light My Fire" transformed the Doors original.
ReplyDeleteA perfect example, Lemonflag! Thanks for weighing in. :)
DeleteMy favourite rockabilly band, thanks Stinky! Never recorded as far as I know but I saw Shakin' Stevens & The Sunsets in concert performing Please Don't Leave Me, first half like Fats Domino and the second part as Johnny Brunette!
ReplyDeleteThe trio IS hard to beat, Koen. Shakey's version sounds like I'd enjoy it. I checked out YouTube to see if he did it on any TV shows, but no luck.
ReplyDeleteShakey's debut album 1970s "A Legend" (produced by Dave Edmunds) included excellent covers of The Train Kept A Rollin', I Believe What You Say, & Lonesome Train.
DeleteBilly Burnette recorded Tear It Up again for 2006s Memphis In Manhattan, an overall fantastic rockabilly record with great sound quality!
Thanks for mentioning MEMPHIS IN MANHATTAN, Koen. I just tracked it down, and I'm eager to check it out.
DeleteCompare the original version of "Am I Blue" https://www.youtube.com/watch?v=HiCwM3C-pt8 with Eddie Cochran: https://www.youtube.com/watch?v=U7St5ITIpIY
ReplyDeleteWow, Draftervoi--I hadn't heard Ethel Waters' version before!
DeleteThat's a DRASTIC reupholstery job as we say around here (in the REUPHOLSTERED SONGS series).
I'm going to have to award you a no-prize!
https://www.mediafire.com/view/gh1ihqh5gw6l2d5/Marvel_No-Prize.jpg/file
Then there's Jimmy Roger's Mule Skinner Blues https://www.youtube.com/watch?v=SQ0ppOZ967k and the Fendermen https://www.youtube.com/watch?v=_m5UGT3jOh4
ReplyDeleteTHE FENDERMEN were definitely "running on too rich a mixture" when they revamped that one!
DeleteNow compare Kokomo Arnold's "Milk Cow Blues" https://www.youtube.com/watch?v=B944jMtu6Qc with Elvis Presley's https://www.youtube.com/watch?v=wihXFdJ4pM4 He starts out close to the original...then he gets real gone, daddy-o! He's cookin' with gas!
ReplyDeleteIf it qualifies as rockabilly, Elvis's version of "Blue Moon," recorded at Sun Studios, sounds almost like an Eno-esque deconstruction of the Rodgers/Hart song.
ReplyDeleteAn excellent example, James. Thank you.
ReplyDelete