Friday, October 17, 2025

Bomb Squad Productions (1987-1993)

And now for something completely different!  Hip hop has rarely been featured on this blog, on themed compilations or the occasional Comeback Special.  I'm a fan, especially of the "Golden Age of Hip Hop" (mid-1980's to mid-1990's), when amazing creative and technical innovations were happening at a rapid pace.  

It was a period when hip hop entered the commercial mainstream through artists like Run-DMC and LL Cool J.  West Coast "gangsta" rappers Ice Cube, Dr. Dre, Snoop Dogg and Tupac Shakur would become superstars.  The "Dirty South" started to have its say.  On the East Coast, new groups like De La Soul and A Tribe Called Quest began to expand what the music could sound like, the topics that rappers could address, and the persona of the MC. Hip hop crossed over into rock, jazz and dancehall.  For DJ's and producers, the Golden Age was the peak of the "sampling sport" (before copyright lawsuits made it prohibitively expensive for some artists to clear samples). 

One of the most innovative production teams was the Bomb Squad.  The Bomb Squad made its recorded debut in 1987 with Public Enemy's first singles and debut album. Hank Shocklee, his brother Keith, Eric "Vietnam" Sadler, Bill Stephney and Carlton Ridenhour (aka Chuck D) were the original members of the Bomb Squad.  Gary "G-Wiz" Rinaldo joined in 1990.

In 1988, the Bomb Squad produced half of the tracks on Slick Rick's first album, as well as the title track of Vanessa Williams' debut album.  They went on to write, produce and remix records for some of the most popular female singers (including Jody Watley, Paula Abdul, Jasmine Guy, Janet Jackson, Chaka Khan, Mary J. Blige, Lisa Stansfield, and Sinead O'Connor).

When Ice Cube left NWA for a solo career, the Bomb Squad produced his debut album.  After the group New Edition split up, the Bomb Squad wrote and produced singles for the newly formed Bell Biv Devoe, and helped to define the "New Jack Swing" sound of contemporary R&B.  

In 1990, Hank Shocklee and Bill Stephney started a record label, SOUL (Sound Of Urban Listeners).  They signed and produced Leaders Of The New School, Son Of Bazerk, the Young Black Teenagers (a group of white rappers) and a nepo baby who called himself Chilly Tee.  

Today's share features some of the best Bomb Squad productions outside of Public Enemy.  They range from early P.E. contemporaries (Kings Of Pressure and True Mathematics) to some of hip hop's all-time greats (Slick Rick, Doug E. Fresh, Rakim, Big Daddy Kane, LL Cool J, Run-DMC and Ice Cube).  Hank Shocklee once said of the Bomb Squad, "We believed that music is nothing but organized noise. You can take anything — street sounds, us talking, whatever you want — and make it music by organizing it. That's still our philosophy, to show people that this thing you call music is a lot broader than you think it is."

Almost forgot to mention the new Public Enemy album, Black Sky Over The Projects: Apartment 2025!

11 comments:

  1. I know this isn't for everyone. If a few folks like Khayem, Nathan and One Buck Guy enjoy it, I'll be happy

    Bomb Squad Productions: https://pixeldrain.com/u/VcFfaDZB

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    1. If you've never heard "Change The Style" by Son Of Bazerk, it's really worth 3 minutes of your time, and the video is very funny.

      https://youtu.be/GeyfSE_d6YI

      For me, "Change The Style" epitomizes the Bomb Squad's maximalist approach to sampling and production. This song alone samples the Temptations, the Stylistics, Bar-Kays, Stevie Wonder, the Jackson 5, James Brown, Kool & The Gang, Ohio Express, the Brothers Johnson, Funkadelic, Yellowman, AND the Bad Brains!

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    2. That "Change The Style" + Son Of Bazerk video is quite something Jonder, thanks! I only wish there was a better quality one somewhere on youtube, but a quick search turned up nothing... Regarding the music you posted, yup, most of it is unknown to me, another (more difficult?) educational experience I guess...

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    3. Funkadelic once said, "Even if you don't dig it, the music is designed to do no harm" -- so don't feel compelled to listen if it's going to be a chore.

      Thanks for watching "Change The Style"! That video made a huge impression on me when I first saw it (probably on Yo MTV Raps).

      I love Bazerk's line in "Part One": "I could be wheelin', dealin', paint peelin' from the ceiling!"

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  2. Thank you. Most are known, some I had to hear first to remember. Always been a needle in the haystack for me, finding nice hip-hop. So very early the faul-mouthed and the gold-diggers, took away my fun in researching the styles. I remember Roxanne Shanté, I liked her very much.

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    1. Thanks, Richard! I always loved "Respect" by The Real Roxanne (produced by Howie Tee, who recently passed away). The lyrics are great.

      https://youtu.be/d-cj0m5Y1HU?si=fmdK7DyIcOzOtUW8&t=9

      "I'll Take Your Man" by Salt & Pepa is another classic. The producer (Hurby Luv Bug) combined "Flashlight", go go rhythms, and "Owner Of A Lonely Heart":

      https://youtu.be/9i-zU_eprnI?si=mLEgW1kr6U1dU-_i

      As far as "nice" hip hop, you can't go wrong with Native Tongues (De La Soul, Tribe Called Quest, Jungle Brothers, Queen Latifah, Monie Love). I never liked violent lyrics, blatant sexism or the worship of wealth among the Bad Boy, Rocafella and No Limit artists.

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  3. That period, especially 88-92, was when I was most into hip-hop. I'm recently exploring it again, the new stuff, but wow is this a great collection. Really nice to see attention given to Son of Bazerk and 3rd Bass. Thanks for this!

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    1. Thanks, Andrew! Bazerk Bazerk Bazerk is one of my favorite albums ever. When I listen to new hip hop artists, I end up gravitating towards the ones that sound most like "that old boom bap" (like Czarface).

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  4. As an aside, it always amuses me that a lot of the gangster rappers had real life names that sounded like white old money prep school guys: Charles Ridenhour, Calvin Broadus etc.

    Agreed on the high time of samples culture, which I also touch on on my own hip hop retrospective. It was so much fun to see the creative sampling going on, before rap acts got priced out (or lawsuited out) of doing that.

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    1. The names are pretty funny. Hank Shocklee's real name is James Boxley. And you're right, an album like "3 Feet High and Rising" or "Fear Of A Black Planet" couldn't be made today. Eric Sadler and Keith Shocklee from the Bomb Squad were musicians, and there are some tracks where they play instruments rather than using a sample. On "Soul Wide Open" by Young Black Teenagers, the riff to the Rolling Stones' "Monkey Man" is recreated rather than sampled:

      https://youtu.be/BwImymRaNHE?si=yTm8UqWofx5Wb0I2

      But on the same album, YBT sampled "Tom Sawyer" by Rush!!! https://youtu.be/nGkLrqjghRc?si=i0Aiqr8HGNWEEwHn

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  5. Spreading the Gospel of Hip Hop! I feel Tribe Called Quest found the perfect mix of trip-hop & pop!

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