Dig if you will a picture: It’s a Sunday evening in suburban southern 'Scansin. A pimply, bespectacled teenager peels the shrinkwrap from a C-90 and puts it in the tape deck. He spins the FM dial from left to center, from WMSE to WQFM. They’re probably playing REO Dragwagon.
But soon it will be time for “Q-Wave”, hosted by “Downstairs Dan” Hansen. Hit the record button! The week ahead will be spent listening to that tape over and over, noting the song titles and artists. Next, poring over mail order catalogs from Rough Trade, Rather Ripped Records, and Enigma in search of these punk and new wave records. Or maybe a trip to Milwaukee, to comb the racks at Ludwig Van Ear with an alphabetized wantlist in hand, and cash in pocket from my after school job delivering newspapers by bicycle.
Here’s a sequel to my previous post of songs played on “Q-Wave”. This music was hard to find back then in the ‘burbs. I knew one kid whose family had cable TV, so I only saw MTV during sleepovers. Once in awhile SNL would have a musical guest like Devo, Elvis Costello, or (gasp) Fear. A rival late night show called Fridays hosted the Clash and the Jam. But these were rare sightings, and we didn’t have a VCR.
I didn’t have older siblings or uncles to borrow records from, and the kids at school were mystified by my Circle Jerks and Bad Brains t-shirts. I was 16, and all-ages shows were rare. “Q-Wave” and WMSE (the college station at the Milwaukee School of Engineering) were my lifeline to the world that I read about in Creem and Trouser Press.
I wrote letters to Downstairs Dan, and he read one of them on the air! After I started a fanzine, he interviewed me on another WQFM show, “Talking To Q”. Had I stayed in Wisconsin, I might have become a student DJ on WMSE. But dad’s career uprooted our family again, this time to Georgia.
There were great college stations in Georgia (WREK, WRAS, and WUOG). And I kept my “Q-Wave” tapes. When I got into hip hop some years later, I found another weekly radio show (“The Beatbox” on WRAS, with DJ JD) and followed the same process: tape the show, learn the songs, find the records.


Q-Wave Faves vol 2: https://pixeldrain.com/u/S1qdmc2T
ReplyDeleteThis one includes a local MKE band (X-Cleavers) and a song that was played frequently on WMSE (Headbutts). I don't remember hearing "Headbutts" on Q-Wave, but it's part of my 80's radio nostalgia. I don't think anybody would have imagined back then that The Cure, U2, Psychedelic Furs, Billy Idol and Stray Cats would become big mainstream artists, or that The Clash and The (English) Beat would have hit songs! And who would have guessed that some of these bands would last as long as they have -- Killing Joke, U2, The Cure?
It was very different in The Netherlands or UK. Everyone with a grain of a brain listened to John Peel. And in The Netheralnds there was the VPRO radio with programs like RadioNome and Spleen. In fact the whole left to right culture had moments on Hilversum 3 (as Pop-radio was called). Very lucky. The Belgians also had their share of New Wave radio shows. I guess the Germans and French also.
ReplyDeleteI and the friends from school, were early disbelievers of U2. When we heared them on a Dutch after that a Belgian, and in the same week on German radio, they copied themselves to the moment they had their "spontaneous" public participations. And we said NO. They were just young Springsteens, hopeless.
In Europe Stray Cats were mainstream from day 1, The Cure - A Forest, a top 40 hit, and Billy Idol, Adam and the Ants, The Clash they were top 40 acts from 1980 onwards, It took Killing Joke a while before they copied U2 with A Love Like Blood and find a new audience.....
Music scene in Europe was dramatically different to the USA.
Yes, we had no John Peel, no VPRO, no pirate stations. I like this blog quite a bit, and it really is amazing the things that charted in Britain that never stood a chance here in the Land of the Free: https://indienumber1s.blogspot.com/
DeleteI was fooled by U2. The press (at least here) lumped them in with the Teardrops and the Bunnymen. The Cure were not immediately successful in the US. I don't think I saw them on MTV until "Let's Go To Bed" and then "Close To Me". I still love their first record the best.
Three Imaginary Boys was repackaged for the US market with a different tracklist as the album Boys Don't Cry:
https://www.discogs.com/master/20161-The-Cure-Boys-Dont-Cry
And then I bought this two-for-one:
https://www.discogs.com/master/22380-The-Cure-Happily-Ever-After
Cool -t hanx a lot. Vol 1 unfortunately is down.
ReplyDeleteSorry about that, I should have checked! New link to v1: https://pixeldrain.com/u/GCMkbso6
DeleteLooks great, Jon. Thanks.
ReplyDeleteI wasn't above taping from the television. It was a big event when YELLOW SUBMARINE aired on network TV & I actually got a pretty good audio recording by hanging a microphone in front of a 4" speaker on a portable color television! As a result I can almost recite the movie. "It's shrinking time in Pepperland!"
I was glad to see some Stray Cats included. Anyone who doesn't like them can (in the words of Jerry Lee Lewis) "Bark my hole." ;)
I know, you know, I did not meant to be dissing The Stray Cats. In Europe we had the Top 40 Rock'n'Roll/Billy revival right with the punks. Bands like MacTaple (Taple sounds like the Dutch word for Nipple) Crazy Cavan, Shakin Stevens, Matchbox, Rocky Sharpe and many others. So when the Stray Cats had Runaway Boys it went straight in, december 1980, and topped at nunber 3
DeleteExcellent collection Jonder, lots of familiar names! As Richard already mentioned Dutch radio offered a lot of more alternative music. Having said that the regular Top 40 was usually pretty mainstream as you can see here: https://media.apoplife.nl/nl/2018/07/top40-19780708.png
ReplyDelete